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 Post subject:
PostPosted: Sat Sep 22, 2007 1:25 am 
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1955

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Last edited by Anonymous on Sat Sep 22, 2007 1:33 am, edited 1 time in total.

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 Post subject:
PostPosted: Sat Sep 22, 2007 1:31 am 
Red Barber

Red BarberWalter Lanier "Red" Barber (February 17, 1908, Columbus, Mississippi – October 22, 1992) was an American sportscaster.

Barber, nicknamed "The Ol' Redhead", was primarily identified with radio broadcasts of Major League Baseball, calling play-by-play across four decades with the Cincinnati Reds (1934-38), Brooklyn Dodgers (1939-1953), and New York Yankees (1954-1966). Like his fellow sports pioneer Mel Allen, Barber also gained a niche calling college and professional football in his primary market of New York City.



Early years
Barber grew up in Mississippi, and was a distant relative of poet Sidney Lanier and writer Thomas Lanier Williams. He got his start in broadcasting in the 1920s while studying English education at the University of Florida. He filled in for an absent reporter on WRUF, the university's radio station, and read a scholarly paper on the air. After those few moments in front of a microphone, Barber decided to switch careers. The radio station hired him as a full-time employee in 1930, and during his tenure he announced Florida football games. Barber promptly dropped out of school to focus on his radio work. He held his position at WRUF for the next four years, eventually landing a job with the Reds.

On Opening Day in 1934, Barber broadcast his first play-by-play for a major league game, as the Reds lost to the Chicago Cubs 6-0. It was also the first major league game Barber had ever seen in person. He called games from the stands of Cincinnati's newly-named Crosley Field for the next four seasons.


Red Barber at Ebbets Field
Brooklyn Dodgers
Barber had been hired by Larry MacPhail, then president of the Reds. When MacPhail moved on to become President of the Dodgers in 1938, he took Barber with him.

At Brooklyn, Barber became an institution, widely admired for his folksy style of play-by-play. He was also well respected among people concerned about Brooklyn's reputation as a land of "dees" and "dems."

Barber was well known for his signature catchphrases, which included:

"They're tearin' up the pea patch" -- used for a team on a winning streak.
"The bases are F.O.B. (full of Brooklyns)" -- indicating the Dodgers had loaded the bases.
"Can of corn" -- describing a softly hit, easily caught fly ball.
"Rhubarb" -- any kind of heated on-field dispute or altercation.
"(Sittin' in) the catbird seat" -- used when a player or team was performing exceptionally well. This expression was the title of a well-known story by James Thurber. According to a character in Thurber's story, the expression came from Red Barber. But according to Barber's daughter, her father did not begin using the expression until after he had read the story.
"(Walkin' in) the tall cotton" -- also used to describe success.
To further his "Southern gentleman" image, Barber would often identify players as "Mister," "Big Fella" or "Old" (regardless of the player's age):

"Now, Mister Reiser steps to the plate, batting at .344."
"Big fella Hatten pitches, it's in there for strike one."
"Old number 13, Ralph Branca, coming in to pitch."
A number of play-by-play announcers, including Chris Berman, picked up on his use of "back, back, back" to describe a long fly ball with potential to be a home run. Oddly, those other announcers are describing the flight of the ball, whereas Barber was describing the outfielder, in this famous call from the 1947 World Series with Joe DiMaggio at bat:

"Here's the pitch, swung on, belted... it's a long one... back goes Gionfriddo, back, back, back, back, back, back... heeee makes a one-handed catch against the bullpen! Oh, Doctor!"
The "Oh, Doctor" phrase was also picked up by some latter-day sportscasters, most notably Jerry Coleman, who was a New York Yankees infielder during the 1940s and 50s and later worked alongside Barber in the Yankees radio and TV booths.

In 1939, Barber broadcast the first major-league game on television. He later added to his Brooklyn duties a job as sports director of the CBS Radio Network, succeeding Ted Husing, and called college football and other events. For most of his run with the Dodgers, the team was broadcast over radio station WHN at 1050 on the AM dial. From the start of regular television broadcasts until their move to Los Angeles, the Dodgers were on WOR-TV, New York's Channel 9. Barber's most frequent broadcasting partner in Brooklyn was Connie Desmond.

In 1948, Barber developed a severe bleeding ulcer and had to take a leave of absence from broadcasting. Dodgers president Branch Rickey arranged for Ernie Harwell, the announcer for the minor-league Atlanta Crackers, to be sent to Brooklyn as Barber's substitute in exchange for catcher Cliff Dapper.

While running CBS Sports, he became the mentor of another redheaded announcer -- a young Vin Scully -- recruiting the Fordham University graduate for CBS's football coverage, and eventually inviting him into the Dodgers' broadcast booth to succeed Harwell in 1950 (after the latter's departure for the crosstown New York Giants).

Barber was the first person, outside of the team's board of directors, to be told by Branch Rickey that the Dodgers had begun the process of racial desegregation in baseball, a process that led to the signing of Jackie Robinson as the first black player in major league baseball since the 1880s. As a Southerner, living with segregation as a fact of life written into law, Barber told Rickey that he wasn't sure he could broadcast the games, but said he would try. Observing Robinson's skill on the field and the way Robinson held up to the vicious abuse from opposing fans, Barber became an ardent supporter of Robinson and the black players who followed him, including Dodger stars Roy Campanella and Don Newcombe. (This story is told in Barber's 1982 book 1947: When All Hell Broke Loose in Baseball.)


New York Yankees
Barber was determined to be a fair broadcaster, and not a "homer" who would seem to be cheering for his employer. By the end of the 1953 season, with Walter O'Malley having a controlling interest in Dodger ownership, Barber was pressured to become more of a homer. According to the baseball-broadcasting historian Curt Smith, however, Barber resigned from the Dodgers because O'Malley refused to back Barber in his demand that the Gillette Company pay him a higher fee for telecasting the 1953 World Series (which Gillette was sponsoring). Barber declined Gillette's fee and was replaced on the series telecasts by Vin Scully, who partnered with Mel Allen. Soon afterward, Barber was hired by the crosstown Yankees. Just before the start of the 1954 season, surgery resulted in permanent deafness in one ear.

With the Yankees, Barber increasingly strove to adopt a strictly neutral, dispassionately reportorial broadcast style, avoiding not only partisanship but also any emotional surges that would match the excitement of the fans. Some fans and critics found this later, more restrained Barber to be dull, especially incontrast to the more dramatic, emotive delivery of his famous Yankee colleague, Mel Allen. Nevertheless, both he and the occasionally partisan Allen both eschewed the rank homerism of former Yankee shortstop Phil Rizzuto, who joined the Yankee broadcast team in 1957.

Barber described one of the central differences between himself and Allen as how they described potential home runs. Allen would watch the ball, resulting in his signature call of "That ball is going, going, it is GONE!" sometimes turning into, "It is going . . . to be caught!" or "It is going . . . foul!" Barber would watch the outfielder, his movements and his eyes, and would thus have a better idea of whether the ball would be caught. This is evident in his famous call of the Gionfriddo catch. Many announcers say "back, back, back" describing the ball's flight. It is clear from the Gionfriddo call that Barber is describing the action of the outfielder, not the ball. Curt Smith, author of Voices of Summer, summarized the difference between Barber and Allen in these words: "Barber was white wine, crepes suzette, and bluegrass music. Allen was hot dogs, beer, and the U.S. Marine Corps Band. Like Millay, Barber was a poet. Like Sinatra, Allen was a balladeer. Detached, Red reported. Involved, Mel roared."

On September 22, 1966, in a season in which the Yankees finished in tenth and last place under the ownership of CBS Corporation, their first time at the bottom of the standings since 1912 and after more than 40 years of dominating the American League, a paid attendance of 413 was announced at the 65,000-seat Yankee Stadium. [1]Barber asked the TV cameras to pan the empty stands as he commented on the low attendance. Although denied the camera shots on orders from the Yankees' head of media relations, he said, "I don't know what the paid attendance is today, but whatever it is, it is the smallest crowd in the history of Yankee Stadium, and this crowd is the story, not the game."

By a horrible stroke of luck, that game was the first for CBS executive Mike Burke as team president. A week later, Barber was invited to breakfast, where Burke told him that his contract wouldn't be renewed.


Later life

Red at his Tallahassee home.After his dismissal by the Yankees in 1966, Barber retired from baseball broadcasting. He wrote several books, including his autobiography, Rhubarb in the Catbird Seat; contributed to occasional sports documentary programs on radio and television; and from 1981 until his death made weekly contributions to National Public Radio's Morning Edition program. He would talk to host Bob Edwards about sports or other topics, including the flora at Barber's home in Tallahassee, Florida. Barber would call Edwards "Colonel Bob", referring to Edwards' Kentucky Colonel award from his native state. Red Barber died in 1992 in Tallahassee, Florida. In 1993, Edwards' book Fridays with Red: A Radio Friendship (ISBN 0-671-87013-0) was published, based on his Morning Edition segments with Red Barber.


Honors
In 1978, Barber joined former colleague Mel Allen to become the first broadcasters to receive the Ford C. Frick Award from the Baseball Hall of Fame. In 1979, he was recognized with a Distinguished Alumni Award from the University of Florida, given a Gold Award by the Florida Association of Broadcasters, and inducted into the Florida Sports Hall of Fame. He was inducted into the Radio Hall of Fame in 1995.


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 Post subject: Re: the old redhead
PostPosted: Tue Dec 23, 2008 5:06 pm 
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http://www.thedeadballera.com/Gionfriddo.mp3

http://www.thedeadballera.com/LavagettoBevens.mp3

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 Post subject: Re: the old redhead
PostPosted: Wed Dec 24, 2008 4:03 am 
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Was it really almost a homerun or just a dramatic call by Red.

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 Post subject: Re: the old redhead
PostPosted: Wed Dec 24, 2008 9:02 pm 
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Red was NOT prone to hyberbole.........judge for yourself. Red was usually UNDERSTATED.................he just called as he saw it.

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 Post subject: Re: the old redhead
PostPosted: Thu Dec 25, 2008 3:52 am 
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Red didn't have the use of instant replay. He called what he thought he saw. We now know that Gionfriddo made the catch wll before the bullpen, and his momentum carried him to the railing of the bullpen. Of couse on radio no else can se it.


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 Post subject: Re: the old redhead
PostPosted: Wed Jan 14, 2009 2:46 am 
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Red Barber wanted to be in show business. He worked with a "troupe" of black-faced actors, but was offered much more $$$$$$$$$$ to do shows on the radio.

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 Post subject: Re: the old redhead
PostPosted: Tue Feb 10, 2009 8:53 pm 
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Red with the Duke 1980..........................


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 Post subject: Re: the old redhead
PostPosted: Sun Apr 05, 2009 2:16 pm 
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Red Barber................


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 Post subject: Re: the old redhead
PostPosted: Sun Apr 05, 2009 2:16 pm 
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Red Barber.....


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You can take the DODGERS out of BROOKLYN but you can't take BROOKLYN out of the DODGERS
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 Post subject: Re: the old redhead
PostPosted: Sun May 03, 2009 6:12 pm 
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penncentralpete wrote:
Red Barber.....
Thats an interesting machine next to Red, any idea what it was? I am guessing from the look of it, it helped Red know what was going on, but he had a good view of what was happening.


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 Post subject: Re: the old redhead
PostPosted: Sat Dec 26, 2009 12:04 am 
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 Post subject: Re: the old redhead
PostPosted: Tue Feb 09, 2010 10:31 pm 
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http://www.youtube.com/watch?v=pJNNH2Rizt8

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 Post subject: Re: the old redhead
PostPosted: Tue Feb 16, 2010 1:57 am 
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http://www.youtube.com/watch?v=7FR6xrNb ... re=related

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 Post subject: Re: the old redhead
PostPosted: Tue Feb 16, 2010 1:59 am 
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It's a rather confusing beginning, but fun to watch.

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